Sunday, January 24, 2010

Lindquistringes for Katherine Percival

Katherine MS Arundel 134 f.2

A back-log Lindquistringes, based on British Library MS Arundel 134 f. 2, France, 2nd half of the 13th C. The hand is a (very sorry) attempt at Gothic. The filler in this initial makes me much happier than my previous attempt, though I still feel like I don't know how to finish off the ends -- my flourishes at the end of the vertical block aren't right.

The text reads:

Greetings from Gerhardt and Judith, king and queen of Drachenwald, to all who read these present letters. Much good have we seen and heard of the deeds and works of Katherine Percival. In recognition of all that she has rendered to us and ours we are minded to make her a companion of our Orden des Lindquistringes with all the rights and responsibilities appertaining thereto. This we do on the viith day of November, in the year of the society xliv, in our Shire of Adamestor, and in witness whereof we have signed our names below.


© 2010, Sara L. Uckelman.

Wednesday, January 20, 2010

AoA for Alyssoun of Adamestor

MS Burney 212 f.1

A back-log AoA, based on British Library MS Burney 212 f. 1, Italy or Spain, first half of the 15th C. Column 1 and the second column to the end of the sentence was done the first night, and the rest the second night. For the second third of the second column, I had a terrible time getting my ink to flow; I have no idea why, since nothing had changed from the night before.

I still have a lot of trouble getting all the white parts of the inner filler penwork right; mine always turned out to have a lot more oclor and a lot less white than my exemplars.


© 2010, Sara L. Uckelman.

Thursday, January 7, 2010

Pelican for Maol Mhichil mac Giolla Pheadair

[Note from 12 Mar 2013. I did not have time to photograph the scroll before it was given out, and due to one thing and another, it was just over three years later before I got photographs. I saw it again for the first time tonight, and I'm not sure I believe that I did that. It's simply gorgeous. I'm so happy with it.]


Mikey

Saddlers' Co. Grant

This is a Pelican scroll for my dear friend Uncle Mikey, back in Northshield. I was extremely honored to be asked by his Pelican if I wanted to do the scroll, and was also extremely happy to be part of a cunning plan (which involved two trans-Atlantic flights in three days, less than a week after I returned to Europe from my visit to the US for Christmas, and staying at his house) to be present at his elevation and speak for him on behalf of the College of Arms.

I did the scroll over the course of about 2 hours the night of Jan. 5, 3 on Jan. 6, and 12 straight on Jan. 7 to finish it up. For awhile I thought I'd need to go to the event with it unfinished, and then bring it back home with me and then mail it to him when it was done, but around about 11:30pm on Thursday I told myself "oh, go on, you can finish it!" and I kept working until it was done. (Which meant that I then spent much of the time I spent in airports on Friday, and Friday evening at his place, sewing on my garb, which didn't get finished on time.)

The text is based on one of the grants of arms listed here, and reads:

To all true and gentle people these present lettres readinge heareing or seeing We, Siegfried and Elizabeth, King and Queen of all of Northshield, and Tanczos Istvan otherwise called Wreath King of Arms sendeth due and humble comendacons and greetinge. Equity willeth and reason ordaineth that men vertuous and of noble courage be by theire merritts renowned & rewarded and one such person is Baron Mulmichell M'Gillepedire, gentleman, Lord of the Purple Fret, the Dragon's Heart, and the Northern Cross. So that not only in his person in this mortal life soe breife and transitory but alsoe in his good name & fame to be of noble memory after his departure out of this life and to be in euery place of honor before other persons euer more reuerenced, and recomended for shewinge of certeyne signs and tokens of honor and Gentellnes to the Inent that by his Ensamples other persons may the sooner and the more enforce & apply themselues to dispend the liues in honoble workes and vertuous deeds for to purchase and get thereby the renowne of antient gentlenesse in ye lynes and posterity for euer more and therefore we the sayd King and Queen aforementioned have by thactoryte and poure of our rank made the said Mulmichell a member of the most noble Order of the Pelican and haue ordained and assigned vnto and for the same Mulmichell to him and his posterity the right to bear such armes as he shall register with the College of Arms and which will appeareth more plainely below. To haue and to hold the same armes to the sayd Mulmichell and his honor peaceably without challenge or interrupcon for euermore we the sayd King of Arms by the Authority & power to myne Office annexed and Attributed, haue confirmed his right by letters pattent and we the aforesaid King and Queen have caused these present letters to be drawn up by Aryanhwy merch Catmael otherwise called Pelican Queen of Arms, and in witness whereof we all have signed these presents with our own hands at Nordskogen the 9th day of the month of January in the ye ar of the society 44.

The design is based on a grant of arms made to the Worshipful Company of Saddlers in 1585. The original grant was destroyed in 1666, but a reconstruction of the original was made in 1989. The image above is the image I had to work from (yeah, small, isn't it?) and I'm fairly sure that it's been accidentally reversed, since the 'T' should be on the right-hand side. This was my first successful attempt at doing a miniature; it's a King of Arms, wearing the arms of the Society.

The scroll was done with guache and Parker's fountain pen ink on deerskin vellum; the vellum was a gift from Queen Judith of Drachenwald as thanks for all the scribing that I had done during her reign. I'd been saving it for a special use and as soon as I was asked to do Mikey's scroll I knew immediately that was it.



© 2010, Sara L. Uckelman.

Thursday, November 19, 2009

Blank Lindquistringes

MS Burney 355 f.1

At Kingdom University their majesties asked for some blank Lindquistringes scrolls. I don't normally like doing blanks, but since I was specifically asked by the king and queen, I said I would. I'd hoped to complete two before seeing them the next weekend, but only got one done, and it's one that I feel is very sloppy. (You need long arms for it to pass the "arm's reach" test). But it wasn't quite bad enough to scrap and throw away. It's just mediocre. It was done on two days, Nov. 17 and Nov. 19.


© 2009, Sara L. Uckelman.

Saturday, November 14, 2009

Pelican for Robert of Canterbury

The beautiful illumination was done by Lady Trinite Ducalon (April Koenig), based on a grant by Elizabeth I. The calligraphy was done the day of the event; it took me about 2.5 hours. I knew in advance roughly how much space I had, and had printed out a text to work from. About 1/3 of the way through, I could tell I had way more text than I had space, and so had to correspondingly reduce things. The text is based on grants of arms at http://verysleepy.itgo.com/grants.htm, those of John Aleyn 1454, John Alfrey 1459/60, and William Gough 1481.

The scan doesn't show completely the full scroll; there is another 5cm or so of blank space below the signature, for the addition of wax seals, which the recipient has said he intends to do.


© 2009, Sara L. Uckelman.

Wednesday, November 11, 2009

AoA for Ulrich von Vielburgen

Ulrich

This is the first scroll to come out of my Visconti Hours project. I'd drawn out the bordure in advance, and then when I got the scroll assignment on a Tuesday for an event the following Saturday, I spent two nights painting in the border and doing the calligraphy (it would've taken just one night had I not gotten side-tracked adding the vermillion penwork to the border). I'm really happy with how this one turned out.


© 2009, Sara L. Uckelman.

Saturday, October 31, 2009

AoA for Menno Suhrbeyer zu Hamburg

menno

The border is based on Paris Bibliotheque Nationale, Ms. lat. 10525, fol. 9v, a Parisian psalter dating to around 1270, reproduced as plate 26 of Pächt, Buchmalerei des Mittelalters. I'd picked the border thinking it was going to be relatively easy and straightforward, and then spent two and a half months pulling it out of the box, looking at it, going "augh! I don't know where to start", and putting it back. The calligraphy was done August 10; the initial drawn and painted, and the border drawn and inked on Oct. 29th, the background of the border painted on the 30th, and the vines, leaves, and whitework painted on the 31st. In the end it turned out nicely (until I dropped a splash of water on the calligraphy and it bled! Ugh!), though it only looks nice when it's not next to my exemplar, which looks much better.

I was originally going to use this initial, but when I actually sat down to do the initial, I'd forgotten that I'd picked this one out, and so did a different one, oh well.


© 2009, Sara L. Uckelman.