Showing posts with label Vitus and Isabel. Show all posts
Showing posts with label Vitus and Isabel. Show all posts

Saturday, October 19, 2019

Lindquistringes for Maud de Elsynge

Maud

I didn't intend to do any scribing at Crown Tourney, so I didn't bring my stuff with me. Which just means that I calligraphed this blank (not yet finished, as depicted here) by Greta of Thamesreach with unfamiliar pen, nib, ink, and without a ruler. I'm pretty pleased with my ability to draw evenly spaced lines without a ruler, and while the calligraphy is by no means my best, and I came away with a hand covered in ink, the result is still not too bad. And I can't wait to see the thing when it's wholly done.

Due commendations and salutations to all seeing, hearing, or reading these present letters from Vitus and Isabel, king and queen of Drachenwald. Let all bear witness and testimony to our royal will that on the xix day of October Maud de Elsing is made a Lindquistringes.


© 2019, Sara L. Uckelman.

Tuesday, September 24, 2019

Silver Guard for Robert du Prey

Robert

This initial is taken from Codex Michaelburanus perg. 1. f. 195r.

I screwed up a bit on the spacing of the calligraphy -- did the top line on the gap between the lines rather than on the text line, and then started the second line of main calligraphy too low. Ah well. Overall, I think it's okay. The text reads (unabbreviated):

His presentibus audite (Pay attention to these presents!) The kingdom of Drachenwald is made strong by those who protect our borders and those who are renowned are numbered amongst the Order of the Silver Guard. Such a warrior is Robert du Prey who we, Vitus and Isabel, enroll today as a member of the said order. Dated xxxviii sept. a.s. liv, and witnessed below.

I love doing these zoomorphic gold dragon initials with the red decoration, but have always struggled with getting the wash background right. This actually worked pretty well.

Two more snaps:

Robert   Robert


© 2019, Sara L. Uckelman.

Panache for Ellisa von Styra

Ellisa

Sometimes you find an exemplar (like HMML MS Hs. 3, f. 128a) which looks like it should be simple and straightforward and yet flashy and lovely, but it turns out being just a step or two beyond your ability. Ah well, I would have liked this one to have been brilliant, because it's for a fellow scribe, but in the end it's merely "fine". On the other hand, as crappy as the calligraphy is (even with measuring the exemplar, I still didn't get the line spacing right!!) it is still some of the best Gothic I've ever done, and so I'm pretty pleased by that.

And, you know, it is vellum with gold. And it has abbreviations! So it's not all bad.

The text reads:

To our dear clerk Ellisa von Styra greetings from Vitus and Isabel. By these presents we confirm you as a member of our order of panache with all rights and responsibilities. Done xxviij September a.s. liv and witnessed by us below

Two other snaps:

Ellisa    Ellisa


© 2019, Sara L. Uckelman.

Tuesday, September 17, 2019

Pelican for Mór inghean Bhriain

Mor

This is quite possibly the best scroll I have done to date. It's oak gall ink, gold leaf, and gouache on vellum, and basically every single thing about it, I love. Originally I had wanted to do supporters as well, but I quickly realised that my artistic skills would not be up to drawing them, and that I would rather having something simpler done well than something more complex that failed. And you can't even tell that I spilled tea all over part of the border while putting down the gold size!

The design is one of my favorite types of borders, which I last used almost 10 years ago for another Pelican scroll for a dear friend. It's amazing to see how I've improved in a decade.

The text reads:

To all true gentle and noble people these present letters reading hearing or seeing we Vitus and Isabel, king and queen of Drachenwald send due and humble commendations and greetings. Equity wills and reason ordains that women virtuous of noble courage be by their merits renowned and rewarded and one such person especial is our beloved cousin Baroness Mor inghean Bhriain, gentlewoman, lady of the lindquistringes. So that not only in her person in this mortal life so brief and transient but also in her good name and fame to be of noble memory after her departure out of this life and to be in every place of honor ever more reverenced so that by her example other persons may the more sooner desire to apply themselves to dispend their lives in honorable works and virtuous deeds therefore we the said sovereigns have by the power and authority given us by law and custom make the said Mor a member of the ancient and honorable Order of the Pelican and have ordained and assigned unto her the sole and unique right to bear the arms argent a rowan tree issuant from a base gules the tree frcuted and the base charged with three bezants and for augmentation on the middle bezant an ancient crown sable as is depicted more plainly herein these letters patent which we have caused to be drawn up so that we may sign them below in confirmation on the xxj day sept liv.

I did not plan my time very well with this, and spent the last four days before it had to go in the mail working on it for ~3 hours a night. Prior to that, I'd probably done another 3 hours of prep work, so I'm guessing this took around 15 hours in total. Below are a variety of in-progress pictures and close-ups.


© 2019, Sara L. Uckelman.

Tuesday, September 3, 2019

AoA for Hiltrude von Trivium

Hiltrude

Sepia ink on vellum with gouache and gold leaf. The text reads:

To all true and honourable people these present letters seeing or hearing greetings from Vitus and Isabel king and queen of Drachenwald. Inasmuch as we have both seen and heard of the works and skills of our trusty and well-beloved servant Hiltrude von Trivium we the above-named rulers affirm that henceforth and in perpetuity she shall be known in all places as a lady, and for the remembrance of this she now holds the sole and unique right to display the arms depicted above plainly.

Confirmed vii aug liv.

Always a pleasure to do an AoA when the recipient has registered arms!

Hiltrude


© 2019, Sara L. Uckelman.

Wednesday, July 31, 2019

Panache for Yannick of Normandy

Yannick

Ink, gold, and gouache on vellum. Based on a British Library MS.

The text reads:

Notum sit omnibus dilecti draconis patris filijs quod ego Vitus rex et regina mea Isabella having received many reports of our noble cousin viscount Yannick wish, will, and desire to advertise to all the skills he has displayed in the gentle arts by naming the said Yannick a companion of the order of Panache. Done at Raglan Fair and signed by the king below.

The Latin bit is translated into English as: "Let it be noted by all sons and daughters of our beloved dragon father Albion that I Vitus king and my queen Isabel..." It is adapted from one of the openings found in W. A. Hulton, editor, The Coucher Book, or Chartulary, of Whalley Abbey (Manchester: Printed for the Chetham Society, 1847-49): Notum sit omnibus sancte matris ecclesie filijs quod ego [name] et uxor mea [name] = Let it be noted by all sons of our holy mother church that I [name] and my wife [name].

Yannick


© 2019, Sara L. Uckelman.

Sunday, July 7, 2019

Silver Guard for Gilbert Blakthorn

Gilbert

My twin Mala had been doing a bunch of blanks from the Macclesfield alphabet and it made me want to revisit that source. I was super pleased to find -- when I couldn't find my facsimile edition in the post-move book mess -- that the entire MS is online! The Dragon T I picked is on folio 10r; it was a choice between that and the "I" two folios earlier, but G saw both and told me to do the dragon, so there it is.

The text reads:

To all seeing or these present letters hearing both now and to come greetings from Vitus and Isabel king and queen of Drachenwald. It is our will and command and solemn desire that from this day henceforth Gilbert Blakthorn be numbered and counted amongst the company of the Silver Guard.

The text should have read "To all seeing or hearing these present letters" BUT at least once I realised I'd skipped "hearing" I was able to reconstruct a grammatical sentence.

The scroll took me 1.5 episodes of Great British Bake-Off to complete, using vellum I'd already pre-cut.


© 2019, Sara L. Uckelman.

Friday, August 2, 2013

AoAs for Agnes La Verte and Aodh Ó Siadhail

Aodh

Agnes

I'd been wanting to do some initials from Codex Admontensis 297 for some time now, so when I was given a matched set of AoAs for Raglan, I figured this was a good time. I picked an A from f.81v for Agnes's, and a V from f.85r for Aodh's, and drew out the layout and lining for both on Jul. 18. On Jul. 29, I sketched out the initials, and on Jul. 30, I painted the base colors of the initial and did the gilding. Matching the shade of green for Agnes's A I thought would be tricky, but I managed to guess the proportions and colors on the first try; it was roughly 3 parts white to 2 parts turquoise blue (both talens gouache) and 1/2 part yellow ochre (reeves gouache). Jul. 31 I did the white and gold work; the light blue; fixed up the gilding, a bit; wrote Aodh's text and calligraphed part of it.

The text for Aodh's reads:

Vitus and Isabel, prince and princess of Insula Draconis, lord and lady of Klakavirki and Thamesreach, marquises of the lands from Harple- stane in the north to the southern reaches of West Dragoningshire, together in accord with our very dear and beloved heirs, whereas our loyal subject Aodh Ó Siadhail has acted virtuously and under his own power in offices within our principality and in his homelands of Dun in Mara exercised with good skill and cheer such that we should sanction, confirm, swear to, and approve the admittance of the said Aodh into the ranks of lords of the land: we, wishing to fulfil all that is attendant upon advancement to such rank have ordered the present instrument to be brought before us that we might see and examine it, and the said charter having been examined and understood by us and by our heirs, we approve, commend, confirm, execute, and ratify it. In attestation and corrobor ation whereof, we the said princes sign our names to this our instrument given in the castle of Raglan, on the xv day of August, in the year of the society lxviii.

It is based on the Treaty between Spain and Portugal concluded at Tordesillas; June 7, 1494. Blodgy ink and a typo caused me to quit for the night after only a few lines. I finished the calligraph for Aodh's on Aug. 1, though I continued to have problems and am not very happy with it.

Aug. 2, I composed the text and calligraphed for Agnes's, which reads:

Audite et adspicite verba Viti et Isabelle, principium Insulenses, etc.: Inasmuch as, among other things in the laws and cus toms of this land regarding the preferment of vir- tuous and loyal subjects of the realm to the rank, status, and estate of lord and lady, we are bound and charged by our princely authority and power to advance those amongst us of gentle breeding, good activity, and so lemn character to the said rank, we, the abovenamed princes, wishing to discharge our said duty concerning one gentlewoman, Agnes La Verte by name, hereby on our princely faith and word fulfil and observe all of the foregoing, without artifice, deceit, or pretense set down in this our present instrument full affirmation that the said Agnes is now recognized, made and ratified as a lady. And in confirmation of this, letters which we have caused to be drawn up and signed below we give the xv day of august, anno societatis xlviii.

It was basically made up in its entirety.

I wasn't able to get a good scan or photo of the whole scroll that showed off the details on Agnes's initial, so here is a close-up of that:

Agnes


© 2013, Sara L. Uckelman.

Sunday, July 14, 2013

AoA for Anjuli Longship

Anjuli

Ari had lots of assignments for Raglan, and I just received some beautiful blanks from Saraswati, so I said I could take on a fourth scroll for the event. The blank is from an MS from Paris, 1480, so I found another 15th C Parisian MS, BL Egerton 619 f.3, on which to base my hand. I drew the lines for the text, and composed the text, on 12 Jul. Since the illumination and the calligraphy are from the 15th C, I adapted a 15th C text, The Letters Patents of King Henry the Seventh Granted unto Iohn Cabot and his Three Sonnes. The text reads:

Vitus and Isabel, princes of Insula Draconis, lords of all the lands from Klakavirki to Harpelstane and the southern channel, to all to whom these presents shall come, Greeting. Be it knowen that for her many years' comportment with all the dispositions and accoutrements of a gentilwoman, we haue giuen and awarded to our welbeloued Anjuli Longship full and free authority, power, and leaue to style herself as a lady in all parts, countreys, and seas of the east, the west, the north, the south: and likewise we haue giuen her licence to set vp banners and ensignes decorated with such arms as she shall register with the College of Arms in euery village, towns, castle, isle, or maine land whereuer she shall trauel. In witnesse whereof we haue wit- nessed this our charter giuen at Raglan, þe x day of þe vii month of our reigne.

I did about 2/3 of the calligraphy the same night; the hand doesn't look much at all like the exemplar (not surprising since it was my first attempt), but is at least internally consistent so it doesn't look too bad. I finished up the calligraphy, having had to trunctate the text some, on July 14. For the decorative capitals in the text, I remembered that Saraswati had actually done another piece in a similar style, and wrote about it in her blog, so I found the exemplar she used, and extrapolated from there.


© 2013, Sara L. Uckelman.

Wednesday, July 10, 2013

A blank used.

Back in February I did three blanks for ID based on Manesse Codex pages. Ari recently calligraphed one of them for Klakavirki's "Revel in the Midnight Sun":

Arnor

Always nice to see a blank completed.


© 2013, Sara L. Uckelman, Jennifer A. McGowan.